A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.Written by
John J. Magee <[email protected]>
The plot gradually grew from an initial concept Charles Chaplin had considered after the success of The Circus (1928), where a circus clown goes blind and has to conceal his handicap from his young daughter by pretending that his inability to see are pratfalls. See more »
(at around 1h 9 mins) When the Tramp is knocked out on the table in the locker room you see a pair of boxing gloves hooked on a post behind the table. The Tramp wakes up and struggles to sit up. The entire scene you can clearly see a wire attached to one of those gloves that when triggered, falls on his head, knocking him out once again. See more »
This is my favorite Chaplin film, but I don't want that to diminish his other work, either. MODERN TIMES was an outstanding work of social satire, THE GOLD RUSH was great slapstick, and even the largely-neglected MONSIEUR VERDOUX strikes a certain unforgettable tone. Chaplin didn't make a bad movie, and I'm not even sure that CL is his best, exactly. But it IS my favorite, if only for the ending.
That ending has been the subject of much comment here. I think it's a masterpiece in a single scene. Chaplin's little tramp has never seemed less like a character and more like a living, breathing human being. It's a monument to understated sentimentality.
To me, the rest of the film exists largely to set the context for that one magnificent piece of celluloid. Yes, the boxing scene is great, and the scene where he rescues the millionaire is also wonderful, but it's that ending that makes us all love this movie.
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